We’re heading into tech for Yankee Tavern later this week, and things are moving along. Our TD Steve and the students got the bar in place yesterday, so I spent this morning working on dressing it:
One of my activities yesterday was creating floral arrangements for the wake:
I never did get a picture of the finished “The Tangled Skirt” up last week, and now it’s closed and we’re in the middle of getting “Yankee Tavern” built. So here are two photos from “The Tangled Skirt’s” final dress rehearsal. First, the set in preset:
And then with actors Morgan Gorman and Ben Treinen on stage:
It’s a smaller shop crew during the summer, but even so, things are going swiftly, and today I painted a lot of walls and made a dent on the floor. The floor, with it’s base linear scumble:
And then with the first graining:
In the shop, TD Steve Chene and Mason work on the bar and the door:
And Emily reestablishes the mortar lines on our brick walls:
The Summeround shows are in full swing, and “The Tangled Skirt” will be heading into tech sooner rather than later. Steve and the summer shop crew have been working hard, and when I finished up my paint work on Monday, the wall were pretty much ready to go up after the floor dried.
Here’s Emily sealing the floor:
I went away for two days, and when I came in the morning, here’s what it looked like:
Summeround is in full gear now, and the shop is working on the set for the first offering, “The Tangled Skirt.”
I spent some time this morning working on the bus station floor:
While students worked on flats in the shop:
Allison traced, cut, and primed our greyhounds:
And I finished the morning by finishing paint work on a few walls:
At our “On the Verge” production meeting today I presented the virtual model at its current state. I’m finding that with the irregular shapes and slightly off angles, as well as needing to leave 9″ of clearance along the wall for the mirror covers, a lot of odd shifting happened to the measurements. Now that I’m this far along on the modelling, I find I have to go back and pretty much re-draft most of what I thought I was done with.
It finals week! “The Tangled Skirt” and “Yankee Tavern” are off the drafting table and delivered to the technical director. “On the Verge” is 80% drafted and now I need to start thinking more about the individual props and set elements for our production meeting tomorrow. Here’s a photo of an image I’ve worked up for “Public Enemy,” our third show of the Fall. Now I have something to pitch to the director. . .
As I commence drafting the detail plates for “On the Verge,” I wasn’t sure if I had posted the rough experimental model I’d worked up a few weeks ago. So here it is:
This is the first show of our Fall season, but we try to get as much settled and done before we end the Spring semester. That way, we can walk into the shops in the Fall and get right to work on the first shows.
In between interviewing Technical Director candidates, I’m still working on final versions of “The Tangled Skirt” and “Yankee Tavern” for our Summeround productions.
The “The Tangled Skirt” image now reflects the use of some furniture pieces that we will scavenge from around the building:
“Yankee Tavern” has reached a state of completion. There will be much more clutter and distressing, and I have to finish drafting the bar back, but here it is:
As soon as that’s done, I need to go back to “On the Verge” drawings. . .
During the last couple weeks, Mason has been working on a set design for “Fool for Love” in the intermediate design seminar. We’re now moving into lighting, so I built a small version of his set for the light lab:
Which we then used to construct a preset for the play: