UW Whitewater Theatre/Dance Department

My portion of the tech table.  Hookup, cue synopsis, script, cheat sheet (I refuse to call it a magic sheet), and John Brunner’s “Stand on Zanzibar.”

During a break in tech for “A Thousand Clowns” at Milwaukee Chamber Theatre.  Scenic design by Brandon Kirkham, sound design by Josh Schmidt, stage manager Brandy Kline, costume design by Kristina Van Slyke, and lighting design by Eric Appleton.    Directed by Jonathan West.  Tech rehearsals featuring the grandest tech table in North America.

Master Electrician Ryan Bertelson climbing out of the lift’s basket after the final gel change at the end of the day’s focus for “A Thousand Clowns.”

A break in rehearsal of “A Thousand Clowns” at Milwaukee Chamber Theatre.  Featured is stage manager Brandy Kline (AEA).

I finally made it over to visit Tara Ayres, co-artistic director of Madison’s Stage Q Theatre.   At the annual Bartell Theatre Awards a few weeks ago, she accepted the award on my behalf since I was unable to attend the party.   The Bartell Theatre houses a group of Madison’s community theatres — Stage Q, Strollers, Mercury Theatre, among others — and every year they collectively give awards for the ‘best’ elements produced under the Bartell’s aegis.   Mine is for ‘best set design’ for Stage Q’s “Ghost of a Chance” this past November.

In the midst of drafting the front of house positions for Milwaukee Chamber Theatre’s August production of “A Thousand Clowns.”  Also have to go and strike props for “Music in the Air” tonight.  Huzzah.

Light plot for over stage for Milwaukee Chamber Theatre’s production of “A Thousand Clowns.”   The front of house and paperwork will be going out first thing Monday morning.   It’s pretty packed over the stage, but it always feels like something is missing. . .

At what served as the tech table for “Music  in the Air.”  That’s costume designer Tracey Lyons (a colleague at UW-Whitewater), director Greg Ganakis, and Scott, the light board operator who was rather left in charge of the partially completed lighting design the final two nights (he kept up though!).  Also note the lack of stage manager, as the sole member of stage management (as well as the only crew member for a cast of 80, which included children and a cast member with early onset Alzheimer’s), Kaylee Oost, was running all the props backstage.  NO ONE CALLED THIS SHOW.   Oh, and no headsets either.  The Whitewater students who thought they were on the run crew were never told when to show up, and all backstage crew was finally cut by the producer on Wednesday, though no one from Music on the Lake ever bothered to contact them.  It’s a wonder there is any one is smiling in this photo.

During tech;  set up for Ernst’s office.

Working up the rough light plot for Milwaukee Chamber Theatre’s August production of “A Thousand Clowns,” directed by Jonathan West.

A slightly blurry photo the day after load-in.  The road cases on stage are sound and lights getting set up.  This is the first day with the actors (all seventy plus of them) on the full set.  The panels are shown with the “Munich” side.