UW Whitewater Theatre/Dance Department

And of course, one has to take into consideration the seating.  I discovered that I hadn’t allowed enough clearance for the first row on house left and things had to shift accordingly.  This version also has the forest green fabric upstage and the sepia-motized botanical prints.  The surfaces of the discs will NOT be carpeted — they’ll be painted with color and texture similar to what is in the image, with stylized leaf borders around their perimeters.

The revised “Aladdin” set, in palace configuration, with throne.

Working up the scale model of the throne for “Aladdin.”

Continued progress on Love’s Labour’s Lost.   The stream, which has become a still pool, has been added, and we’re approaching a good placement of botanical prints — I’m sure there will be tweaking.  The next step will be to select painted garden images from the 1880’s — most likely Impressionist work — for the upstage panels.

Beginning revisions of Love’s Labour’s Lost.  Spent a few days combing the library for botanical prints, scanning, cropping, and now inserting.

Getting ready for the first production meeting for November’s Love’s Labour’s Lost.  A sketched revision of the earlier Sketchup draft, with water feature and panels instead of fabric.   And yes, we’re going with the spelling of the title as used by the Arden edition of the play.

A quick sketch of the proposed double throne for Aladdin.

Working up the idea  for November’s production of Love’s Labors Lost from the original thumbnail — the ‘labyrinth of love,’  ordering nature, controlling nature, accepting that not everything can be ordered.  Jim Butchart, the director, liked where it is going.  We both agreed the blue curtain was overpowering and will likely change that into a series of painted panels.  The smaller branch panels suspended on pipes will also become less Japanese with more summery foliage;  there will also be three or four sizes of panels.   We also discussed how to get a bit of untamed nature in the space, and will be considering the possibility of a small pool and flowing stream.  On my way to my Library Services Committee I realized that using botanical illustrations from circa 1880 (the  period in which costumes will be designed) might a really interesting way to bring a sense of scholarly illusion to the world.

Preliminary doodle for UW-Whitewater’s November’s production of Love’s Labors Lost.    A stack of low circular platforms with curved benches and hedges with a thicket of ‘billboards’ upstage.   Branches and blossoms stenciled on the billboards, twining vines stenciled around the perimeters of the platforms.  I also desire topiary.  Now to sell it to the director.

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Aladdin, with new central arch, side image/masking flats that will move center for the street scenes, and pillows downloaded from the Google Sketchup Warehouse.