Come Back

After conversation with the director, I’ve ripped apart the model and tried out a few different configurations. She liked the over all look of the thing, but really needed some backstage crossover space. In the corner of the Hicklin, that’s problematic — add a concealed crossover, we lose a fair amount of stage stage, and/or start losing seating if we push the set forward. Budgetarily, losing the front row is impossible. It’s a juggling act, but I think I’ve figured out the middle path.

With the groundplan figured out, it was time to move on to an elevation. Since the model is no more, I wanted to get this completed as soon as possible to have posted by the time students arrive next week.

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