Romeo and Juliet
Work on “Romeo and Juliet” continues.
Here is Erik, deeply engaged in the brickening. . .
. . . and here is the stained glass, now finished and sitting and waiting to dry and cure over night. . .
. . . meanwhile, in the Hicklen, the facening continues. Now that Dancescapes is over, we can move the set over to the Barnett. The facing has been stripped off the stage right unit and is awaiting painting, while in this photo, Thad and Molly finish up the facing for the stage left unit.
Finally, in the Design II seminar today, we took charcoal lighting sketches of Tony Kushner’s “Reverse Transcription” and put them up on their feet in the light lab. Here is the realization of Keri’s opening look.