For me, it’s a slow day. I’ve finished twiddling with props, and am pretty much here to make sure that Lilliana is on track with her painting and to help out with any snags during dry tech.

Here’s Nathan focusing a light for lighting designer Quinn:

And then Quinn at the board writing cues while stage manager Abrya walks the stage for him:

In the shop, Lilliana forges ahead with all the swirling fabric in the painting. Daunting, but she’s tackling it well — especially for her first time trying to paint a bunch of swirling fabric.

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