Into the Woods
At our production meeting for February’s “Into the Woods” I presented this rough model of where I was heading (based, of course, off of earlier discussions). We’re chosing to highlight the artifice of storytelling — the devices and effects will be clearly devices and effects. As both boundary and place of journey, the forest has also got a structural grounding in Tatlin’s “Monument to the Third International.” This is the machine that creates family, in what ever form family will take. . .