The New Instant Classic

     Not many musicians or bands can make the prestigious Robert Plant question his musical abilities. Small town Michigan based foursome Greta Van Fleet does just that. Millennials have finally been awarded their equivalent of an ostentatious, thundering, and wildly fun rock and roll band. However, critics have been debating this claim since 2017. One cannot help but wonder if Greta Van Fleet is the second generation of Led Zeppelin or simply copycats. What they are viewed as is up to interpretation for whoever listens. The band comprises of vocalist Josh Kiszka, his brothers Jake and Sam on guitar and bass, as well as drummer Danny Wagner. All members appear as if they stepped out of a time machine dating back to the counterculture generation. The music community is torn between how the unique up and comers should be perceived. The current fans and future groupies view them as saviors of classic rock. Individuals who are critical of the old school musicians simply view them as four inexperienced boys who are playing dress-up in 70s garb.

The Kiszka brothers and Wagner are all blossoming with youthful energy and vast potential. They are walking and talking contradictions who are blowing the minds of their elders. They are a ragtag pack of youths with a developed and sophisticated sound. The oldest band members are only at the tender age of twenty-two. The band has been around since 2012 and achieved their level of success in a mere six years. The Kiszka’s exposure to their parent’s impressive record collection has highly influenced their aged sound. In 2017 they signed to Lava Records and are releasing their first full album in October. They have gained the attention of seasoned musicians such as Elton John, whom they have performed alongside with. Despite quickly rising the ranks of the music world, some believe Greta Van Fleet contributes little originality to the industry.

All bands will have their fair share confidence boosting approval and limb-shaking criticism. Feedback from both sides helps musicians develop their craft and grow as individuals. Gretta Van Fleet is a special gem in a pile of gravel, the gravel being oversampled and autotuned pop. Not many new bands possess the ability to stand out in our culture of dominant popular music. Those who claim the band lacks originality and diversity among their songs can preach their views until their heart gives out. In the end, Gretta Van Fleet belongs to our generation, they are our Led Zeppelin. They have the potential to reach the same level of success as the bands they embody in their music. Fifty years from now, they will evolve into the classic band young musicians idolize and grow up with.

– Jon B


When Music & Community Meet

Written by: Connor Moore

Photo From:

History has shown that when music and social causes come together to promote positivity and change, the two pack a powerful punch. And with everything that has occurred not only here in the United States, but also the world, the time is now for the two to come together and begin to light the beacon signifying togetherness and hope.

Once again, enter Mamby on the Beach.

This year’s edition of the festival will feature their new Community Center and Stage, which will highlight diverse forms of performing as well as shining a light on non-profits that shine a light on the aforementioned positivity and change.

From the Mamby on the Beach website regarding the Community Center:

As a festival, Mamby celebrates all things that make Chicago great and its patchwork of neighborhoods are a key element to that greatness. In Bronzeville and Hyde Park, Mamby has been welcomed by two of our city’s most culturally diverse communities and rich with music, spoken word, and performing arts. They also happen to be home to numerous socially conscious non-profits that are dedicated to affecting positive social change in our hometown and beyond.

Our Community Center is a chance to recognize and elevate these causes, bring festival attendees into our community, and inspire people to get involved on a local level in their own neighborhoods.

Performances that have already been confirmed consist of Young Chicago Authors, Final Alert Dance Team, Dyett High School and so on. In addition, these are some of the confirmed non-profits that will be at Mamby, as well as their respective websites if you want to learn more:

  • OurMusicMyBody:
  • M.U.R.A.L:
  • Mothers Against Senseless Killings:
  • LeadersUp:

To learn more about Mamby’s Community Center and who will be there, check out

Also, be sure to check back here for more on the Mamby experience, as 91.7 The Edge will be attending both days of the festival!

Let’s Get Ready to Mamby!

Photo Source:

Written by: Connor Moore

The weather is finally warming up, which means two things: the (merciful) end of the school year, and festival season!

As you all know, I’m the station’s resident Chicagoan, and there’s nothing more during the summertime when I come home than good music, good vibes, and of course beachside fun to cool down. Enter, Mamby on the Beach!

Interview with Eliza Hanson!

A wise woman once said, who I met virtually, “… your early 20’s is like a secret second puberty that no one prepared you for.” This statement packs a wallop that would send the most confident twentysomething to their knees. These words were uttered (gracefully typed) by Eliza Hanson, an up and coming musician and realist from Milwaukee. Hanson’s EP, “Any Day Now,” delivers an existential tale of human emotions and dilemmas we all experience, but very few of us face head on. We all suffer through isolation, doubt, and even loathing of ourselves. We must ask: can I uncover a blue sky in the storm of my troubles? Can happiness exist without sadness? Am I my own worst enemy? Eliza Hanson does not shy away these inquires of self-reflection.


  1. How long have you been songwriting and what made you start?

Answer: I started song writing at around 17. Before I picked up a guitar I dedicated most of my free time to Speed Skating. I skated competitively for years, but I eventually got to the level where I had to choose between planning for college or bypassing the college route and committing my life to skating at an Olympic Level. Obviously you can tell which path my 16-year-old self chose, but after quitting I realized I needed an outlet to fill the space that skating left. I ended up getting really into the guitar and songwriting kind of just came from that. I felt like I finally had a tool that allowed me to express what I couldn’t in plain words. It was kind of a purge to write songs, and it still is.

  1. On your Facebook page, you describe yourself as a folk musician who “makes tunes for sad song lovers.” Why did you choose to describe yourself that way?

Answer: Now a day it seems everyone is striving to make music you can just bop your head to, with a beer in hand, surrounded by friends, when life is good. But I’ll always be a lover of all things sad and with how saturated the Internet is today I want the people who are up alone at 2am, with a glass of whiskey to hopefully take a listen. I think it’s the heart wrenching, despondent moments that make you realize when your life is going well. So I guess I choose to describe myself that way because I believe in sad songs and what they can do for people.

  1. You seem to have a lot of pride for your hometown. How has the Milwaukee music scene shaped you as an artist?

Answer: Well I am kind of new to the scene, or at least it feels like it. It’s kind of overwhelming trying to crack into that headlining “Milwaukee Music” circle. But I am chipping away! I love Milwaukee and I think the city has a lot of outlets for independent artists to be heard, as well as a lot of people who appreciate local music and will support local artists.

  1. You just released your EP, “Any Day Now” which consists of six very powerful and emotional songs. Themes in the album are reflections of painful memories, inner desires, and waiting for the future. These themes appear to tell of a larger story of being in a state of limbo. How does your work reflect you as a person and artist?

Answer: Well ‘Any Day Now’ was a wake up call to myself. I have an awful tendency to put things into the “someday” category without actually following through with the work to make “someday” happen. I think this leads to the themes that you mentioned. When you’re in between chapters of your life the past seems to have that warm golden glow and the future seems ominous. This whole album is kind of going between the two.


  1. It’s always difficult to start out as a musician, writer, or any other type of creative profession. Yet, you managed to successfully release your first EP and be featured on radio stations, such as 91.7 The Edge. Can you tell me about any road blocks you have experienced and how you overcame them?

Answer: I’m very blessed that I haven’t had to suffer through any major roadblocks yet. Beginners luck maybe? The biggest barrier I face most of the time is myself and self generated negativity. But I’m starting to believe if you work hard and put that out into the universe, that energy will come back to you.


  1. You are only 22 years old and you are already gaining a local following. Many twenty-somethings, and even thirty-somethings, experience a type of quarter-life crisis. How do you think your album relates to the struggles young people go through?

Answer: You always hear older people reminiscing about how these years were the best years of their life and I think that haunts a lot of young people because they don’t feel they relate. I think especially now we are experiencing something completely different than the generations preceding us with this boom in social media. When you can pull a device from your pocket and within 10 minutes find a 100 peoples “high light reels” that definitely is anxiety inducing. There wasn’t this constant comparing to strangers.
I just think being in your early 20’s is like a secret second puberty that no one prepared you for.

  1. “Pawn Song” instantly caught my attention; can you offer some background to what went into writing it?

Answer: I’m so glad you liked it! That song took the longest to write on the album, around 2 years. It’s about being in a toxic relationship that you know is unhealthy for you but for some reason you just can’t pull yourself away from it. A lot of self-doubt comes from that, feeling powerless and hating yourself for being so weak. But it’s also about realizing that person has too much control over you and finding the strength to take it back.

  1. You released “Caged Bird” as a single on iTunes before releasing the EP. Would you say this song resonates with you the most?

Answer: I thought it captured the mood of the album the best. It’s the most authentic to how I felt about life when the majority of the album was written, and I wanted people that are going through the same feelings to hear it and feel less alone.

  1. “Tonawanda” is the last track and the most upbeat on “Any Day Now.” Did you intend for this song to act as the silver lining of the EP?

Answer: I did! The song is about my Elementary School and the love I had for that time in my life. It’s also one of the first songs I ever wrote so it was special to be able to feature it on my first record.

  1. I love the album cover! Why did you choose a drawing of a cabin in the woods at night? What is the significance?

Answer: Thank you! My good friend Logan Peters created the artwork and I couldn’t be happier with how it turned out! The cabin is based off of my grandma’s cabin in Three Lakes, Wisconsin. My family has gone up there every summer since I can remember. Again, bringing back that theme of innocence and the glow of being a kid and the nostalgia for that time.

  1. Is there anything else you think your listeners should know about you? Or, do you have a parting message?

Answer: Thank you for all the support and love! If I can make an impact on even just one person then it makes this all worth it.


  • Jon B


Deadfellow Interview


This statement may come as a shock to most people: The 60s sound does not rest six feet under. In fact, this iconic style continues to be expanded by up and coming artists. Hayden Sammak, a long haired and bearded Philadelphian is a prime example. Sammak is an individual who expands this sound under the moniker “Deadfellow,” and he has made this sound his own. Mescalifornia: A California Dream, Deadfellow’s sophomore album, tells tales of fictional romances in a classic rock serenade. Deadfellow answers questions about his craft and newest album below.

What is the origin of the name Deadfellow? How does he differ from Hayden Sammak?
Deadfellow is a play on words. Deadfellow differs from Hayden Sammak almost totally in spelling.

How long have you been writing music and what made you start?
A while. Any creative starts doing stuff because they either want attention or they’re driven to be part of something beautiful. I’m in it for the attention.

You are from Philadelphia, yet your newest album is centered around California and LA. Why did you choose to write about these specific locations?
It’s just a vehicle to make a commentary on larger motifs—I wouldn’t make an album about 21st century lovelessness and center it around Nowhere, Iowa. California and LA are the epicenters of this particular cultural shift, except for maybe New York City.

How has the Philadelphia music scene shape your songwriting?   
It hasn’t.

The first time I heard, “Mescalifornia: A California Dream” your voice instantly reminded me of the 60s singer Gary Puckett. What vocalists influenced your singing style?

Bob Dylan, Harry Belafonte, Miles Davis.

Your musical style overall is reminiscent of early rock and pop, why is this?
I purposefully made this album very stylized. I hate the Beach Boys, so I listened to them exclusively for six months and then I made this record.

My favorite song on your new album is “Miss California,” what inspired you to write it?
Nothing. I thought it was a ridiculous piece of gibberish that I hummed over some chords I was fucking around with, so I kept it. Originally the words were “Miss California I love you/ Summertime like 69/ Getting hot and heavy in your mother’s chevy,” so take what you want from that. I didn’t assign a lot of meaning to it, I just wrote some nice things about a fictional girl.

Love seems to be the focus on the two albums you released so far, how have your own romantic experiences help form your music?
I don’t want to bore anyone about how love is at the core of this or that, or how my own personal experiences inform my songs. Romantic experience has some sort of impact on creative output, that’s obvious and that’s really it.
If someone wants to dig and interpret my songs as a direct reflection of my life, that’s their prerogative. To be totally honest, as a completely obscure artist, I don’t believe anyone is even interested in me enough to invest that kind of effort.

Would you say “Mescalifornia: A California Dream” has a larger overall story, rather than just consisting of individual love songs?  
It’s whatever you want it to be. If you just hear a bunch of individual love songs, then that’s what it is. If you hear a narrative, then that’s it, too. Personally, I hear a narrative.

 Did you initially anticipate radio stations taking interest in your music?
No. Whichever radio stations choose to play my music are exceptions to what radio has become—the ones that play this record, or any of my records for that matter, are almost exclusively AAA format, so that should tell you something. These aren’t radio songs, they just happen to be played on the radio sometimes.

What else do you think your listeners should know about you? Or, do you have a parting message?
Blogs are the most important part of music—make sure you read them. To artists, if blogs don’t accept your submissions, quit immediately—you’re music definitely is not good enough.

– Jon B