Romeo and Juliet
Posted in General Production, Scenic Design, Scenic Painting on April 16th, 2014 by Eric Appleton
As the brick facing gets painted, it gets put back on the structure. This is one side of the gatehouse section.
Keri, Rasell, and Mike work on truss pieces that will form header pieces between the vertical perimeter structures. Mike is the student assistant TD on this show.
One of my painting projects for the afternoon was to start painting the vertical perimeter pieces.
Alyssa works on the poison bottle. The director has asked that it light up from within, so she and Keri have been devising a way to attach an LED to the base of the bottle.
Finally, the end of the day. That’s our TD, Steve, off to the side. Much facing has been reattached, and you can see all the vertical perimeter pieces that still need to get painted leaning up against the back wall. The horrible post-installation realization was that some of the masonite floor/facing pieces that I painted weren’t actually meant to be concrete, but wood. Ah, the importance of labeling.